#and you say some of these would be controversial to some. For Starters i think we can all agree sora's tan

[mushroom-winners-proof]

Kyckgxfjtj I have so little people to share my head canons with- I probably already shoved you in here but I’m shoving you again into my lil friends folder mentally >:))))

I don’t have too many tbh but here they are:

1 isa and aqua are siblings (we all know Eraqus just picked up aqua from the side of the road- she has to have some sort of family and we know KH characters have world hopped without being keyblade wielders like smol kairi from RG to DI)

2 Sora- has to have more tanned skinned- bby grew up on a ISLAND- he LOVES the outside- Riku however looks like the light scares his ass- so I understand him being white as fuck

3 Isa had a horrid home life which is why he was in on the whole plan to get subject x out- to get away from his home as much as possible (which ofc he just ended up in a horrible situation with the org and shit)

4 Neptune (KH ml- I’m in a KH discord server just for news on this damn game which there is none) is Iras son and if not then part of his bloodline- KH ml takes place in the time Brain traveled too via the pod which means that there is some people from that era that could exist- isa aqua and ienzo (ik hes a orphan but his parents could still have been apart of the bloodline) are also from this line- this is mainly going off their hair but could also be why isa and ienzo were targeted In becoming nobodies as they have family in their line that have had/have a keyblade

5 I told you this but DR xehanort made candy- especially lollipops-

6 this one ik would never technically be true- but considering YX is the xehanort from DR- Eraqus and xehanort could’ve adopted Terra and sent him to older Eraqus in the land of departure

7 aqua can go in and out of her anti form like Sora can

8 Vanitas contains Ventus’ memory of KH ux

That’s all tbh- lot more than I expected but oh well- god I need the power to come back on so I can bully old man xehanort in KH mom via the boss battle stage cus the field is nightmare inducing

omg what a collection of hcs .... very epic ....

[dreamisols]

.𖥔 ݁ ˖ COFFEE TALK

INTRODUCTION FIC TO 'THE ART OF REMEMBRANCE'

—the rare moments of free time allow you and your boyfriend to talk about anything and everything that comes to mind... at this point, you two might as well be the third division's free podcast! —wc: 1050; fluff but mostly crack —original canon, x fem!reader, you and hoshina are just silly, hibino leno and kikoru mentions, one cuss, general pov more or less, i advocate for silly unhinged dynamics —rimi's ramble: told myself not to rush the series but i wrote this in one sitting... my summer's gonna be spent writing about this man, buckle up folks! >:]

The Third Division considers you and Hoshina as their power couple. 

Charming looks paired with commanding auras, levels of strength that no one would dare go against, all topped off with endearing one-of-a-kind personalities. Two puzzle pieces that fit as if they’re made for each other.

Everyone within the division quickly accepted and supported your relationship with the Vice Captain. And with that support comes your status as the “local love team"—an inside joke and a makeshift badge of honor (if one could even call it that).

In their defense, there isn't even any sort of competition to begin with. You two are the only couple within the division.

Every member, no matter how long they’ve been in the Defense Force, holds high respect towards both of you. They trust you with a lot of things—the wisdom you both give to your members is actually useful, and your attack combos on the field are nothing to scoff at. 

Yes, they would trust you two with their lives, and yes, the way they’d say it might blur the lines of comedy and seriousness. There’s simply one thing that’s holding everyone off…

No one trusts the both of you with coffee. 

Ironic, considering it’s one of Vice Captain Hoshina’s favorite things. 

Another inside joke is that whenever a member enters the lounge room and they’re greeted by the rich inviting scent of brewed coffee, they will be tuning in to some sort of a podcast episode hosted by their one and only dynamic duo. 

No one session is the same. Sometimes you two end up talking about some story you read or some personal experiences. Other days, it’s just opening as many controversial topics as you both can while expressing your opinions in a lighthearted debate. One time, to the division’s surprise, you two started doing a deep dive into a conspiracy theory, complete with a whole digital presentation and proven statistics. 

It’s even more surprising how convincingly well put the entire thing was to the point even Captain Ashiro listened in with interest. 

The members found it pleasant, enjoyable even. A chance to hold more conversations about different non-kaiju-related topics thanks to you and Hoshina’s exceptionally random conversation starters.

All they ask is that you guys don’t open up a topic that might get you random looks at best, or—hypothetically—get the both of you canceled on the internet at worst.   

Today was one of those days, the team figured, when you and your boyfriend step into the (initially busy) lounge with matching porcelain cups. Hibino, Leno, and Kikoru were the ones present in the room… this marks their first time listening in on the two of you rambling.

“I don’t know, Soshiro-san, don’t you think that may be a little too intense?” you made a beeline and assumed your spot on the couch right in front of Kikoru, drinking from your cup the moment you sat on the soft cushion.

Hoshina follows after you and settles right by your side, “No way!” If he weren’t holding anything, you can envision the way he’d cross his arms and huff. He mimics your movements from a while ago, taking a sip from his drink before placing the cup down with a small ‘clink!’. 

A childish pout graces his lips as he stares right at you. “If you think hard enough, I’m telling ya, dicing those kaiju is just like makin’ intricate fruit carvings!”

May the gods give the juniors strength because what the actual fuck were you two talking about?

The room is radio silent. You and Hoshina continue to glare at each other as if you’re both in a mental debate. Which seems likely enough.  

Kikoru nudges Leno’s arm to get him to break the ice and the poor guy sputters. Hibino breaks into a cold sweat when he catches the way you and Hoshina sharply look at the three of them. 

“V-Vice Captain..! (Name)-san… go–good afternoon!” Leno prays his salute doesn’t give away the fact he’s shaking.

By record, this may have to be the oddest conversation they’ve heard in passing.

You flash the three of them a small smile and Hoshina does a small wave of his hands. Not even a second later, the man beside you jumps at the opportunity to find allies for his claim.

“You guys think that slicin' kaiju is like slicing fruits, right?”

Bless your soul that you’re stubborn enough to match his energy. “If anything, it’s more like carving wood! You have to be intricate about it!” 

Hoshina looks back at you like you’ve transformed into the kaiju you were talking about, “Wood carving?! Darlin’ I love you more than the coffee I’m drinking right now, but you’ve reached a new level of insanity!”

“Comparing anything to kaiju neutralization is already some form of insanity…” Leno whispers under his breath. “Let alone wood carving and fruit dicing…” Kikoru murmurs back in agreement. 

“Aww, you love me more than coffee?”

The immediate shift from a lighthearted argument to some sappy lovey dovey confession while talking about carving patterns on kaiju may be just as impressive as your combat prowess, the trio decides. 

Hibino breathes a sigh of relief and mumbles, “Those two fit each other so well… wonder if it’s a match made in heaven or hell…”

“We’re soulmates!” Hoshina corrects him, instinctively reaching out to hold your hands as if it’ll prove his point further. He gently laces his fingers with yours before glowering at Hibino, “You also called us demons with the whole 'hell' comment. Thirty push-ups for the three of you, ya hear?”

Leno nudges his senior’s ribs like he wants to end him right then and there. Kikoru was probably devising ways to successfully kill him on the spot. Hibino’s fighting for his life, but he still manages to catch the way you and Hoshina look at each other with mirroring lovesick smiles. 

If he manages to scrape out alive, maybe this coffee talk wasn’t that bad.

likes and reblogs are appreciated, but please don’t copy or repost my work! [edited: 062424]

[pompadorbz]

FINALLY FINISHED MY QPHIL 3.0 DESIGN HOORAY (cant wait to. redesign it again in like 3 months.) (CHECK UNDER THE CUT FOR MY SILLY DESIGN NOTES!!)

I think I said this before but i so. SO BADLY wanted him to have a sleep theme since I always loved how his presence on the island was kinda up in the air. Is it a dream? Is it not? When he goes between the island and hardcore is that change really happening? Who knows.

The idea of making his usual outfit more like a housecoat was super appealing to me, so I opted for this open housecoat look with really heavy frills which were super fun to figure out, and I knew from pretty early on that I wanted to give him a quilt pattern SOMEWHERE on his design, so I thought the inside of the coat would do nicely for a sorta "default state". It also meant I could attribute meaning to the symbols and colours I used. wink nudge.

He has a more subtle angel theme, like with the mobile on his walking stick being a halo with the wing placement further emphasizing this, as well as just his generally lighter colour scheme. When I say sleep was his theme I almost more-so imagine it as like. The feeling of waking up in the morning where you're mostly refreshed but still a LITTLE drowsy. Lots of very spring-y, morning colours.

Just some other quick notes, I always really liked the mod in the server where you could have the crows perch on your shoulder and follow cuz of the lantern, so I thought it'd be fun if I made it so brian just straight up WAS the lantern. So I made him look like one of those wall outlet nightlights!! The backpack being kinda cat shaped was COMPLETELY unintentional but a very welcome result. Missa backpack is real.

As for the alternate outfits, I have a bolas one, as well as an ender king one since I deemed those two the most important. For the ender king I weirdly don't have many notes, like it's fairly straightforward (Save for the elephant in the room but now I'm gonna keep my secrets on why that's a thing). The Quilt design is supposed to be a lighter, easier-on-the-eyes version of the no texture pattern, and I imagine that all the goop and gunk on Phil is hidden under the coat. I imagine it'd look fairly similar to canon so just like. imagine it for now. Might draw it one day. MAYBE. There's some tiny additional colour symbolism but I'll hold my tongue on that and let you guys draw your own conclusions there. I WILL say, however, that instead of his theme being sleep, his theme is "nightmare" (and also kinda sleepwalking since both fit).

The Bolas design was SUPER fun to work with. For starters I wanted the three designs to be in three different states. One with the coat, one with the coat reversed, and one without the coat entirely. Since I wanted to do the checker pattern thing with the possession design, having the sleeveless bolas design worked really well for the shape I landed on, even if it wasn't conventional. and SPEAKING of non-conventional design choices, I decided to go against the usual plague doctor + gas mask fusion design. Which might be controversial... But god. The moment I thought of his mask being a falconry hood, the idea just wouldn't leave my mind. Because of this, the full mask is kinda separated into two parts. The eye mask which kinda also mirrors his usual sleep mask, and the gas mask itself (I kept it in a beak shape since it'd feel odd if i made it any other shape for phil, lol). When designing the whole thing I kept thinking about more apocalypse setting clothing. Like mad max. Or the one gag from that one spongebob movie. Lots of leather. And of course, to match the other sleep themes, the Bolas outfit's theme is "fever dream", although its a bit more subtle. It's easily the weirdest design, The pops of green were simultaneously in reference to the friendship emerald... As well as... Well, the green chain right below the chain on the sickness themed design was probably the most tasteful way I could've chosen to get across vomit without it being too on the nose. (also sidenote, I had a few friends compare bolas phil to... a fly. Which wasn't intentional but it's kinda funny that the guy designed after fever dreams looks a little bit like a bug.) Ok thats it for design commentary I'm gonna go to bedge nyow.

[linkspooky]

GREAT TEACHER, GOJO

For my final commentary on chapter 236, I thought I'd talk about this panel the starter of a million flame wars on twitter dot com. The big controversy is Nanami stating that Gojo fought only for himself without mentioning his students which a lot of people thought was a last minute reversal on Gojo's character, or character regression.

I'm not going to call anyone stupid, or say if you have good teacher Gojo headcanons you're wrong. However, I'd like to point out that Gojo's always been more complicated than most shonen mentors. He's not Kakashi, and he's not Aizawa, and I'd argue the fact that he's not the standard "I'd die to protect my students" mentor we see in shonen manga is what makes him interesting.

The Springtime of Youth

Jujutsu Kaisen is a shonen jump manga that is very aware of the other manga that are running in the same magazine and uses that awareness to play with audience expectations.

To put it simply if you don't want to use words like Deconstruction - if you're reading Jujutsu Kaisen then things are probably not going to go the way you expect them. It's not Naruto, it's not My Hero Academia, it's a little bit like Bleach except characters actually die.

If you expect things to go one way in Jujutsu Kaisen, then you're going to be thrown a curveball. To name some examples briefly before diving into Gojo.

Yuji Itadori is a normal boy protagonist suddenly dragged into the world of the supernatural.

However, everything goes wrong from there. Jujutsu Sorcerers are not heroes. Yuji is told that much from the beginning by Megumi within the first thirteen chapters. The world of Jujutsu Sorcery is not a good place to be, Yuji is initially excited to be a sorcerer and to be a part of this world and then learns that lesson fast. I mean, imagine if Deku was accepted to UA, and then he immediately learned that students at the school die on the regular and all the adults are either terrible selfish people, or if they're not they die too like Nanami because being selfless means sticking your neck out for someone else.

Yuji's not really special in the narrative. He's just a kid who swallowed a finger. He doesn't have a secret technique. We're hundreds of chapters in and he's still just punching people. If he's cornered in a fight he doesn't unlock a secret technique either, he just loses.

Yuji has a superpowered evil side, like the nine tailed fox, or Hollow Ichigo except it's not really his super powered evil side. It's an evil parasite attached to his soul with a will of its ownt hat will manipualte him. Hollow Ichigo and the Kyuubi can escape temporarily and there's usually no consequence. Sukuna escapes twice, the first time he nearly kills Megumi, the second time he kills thousands.

Yuji is kind of like a main character who is not a main character.

If you still believe he's the main character, then you can agree he's punished for thinking he's the main character and therefore things are going to be easy, because nothing is ever easy in Jujutsu Kaisen.

Megumi is a riff on the chosen one. He's supposed to be the Gojo Satoru of his generation, born with the strongest technique that ca even surpass the limitless and he's nowhere near the level he's supposed to be. This is because Megumi has been continually failed by every adult figure all his life, starting with his father who sold him, then Gojo the man who SAVED* him techically but with a big asterisk that he needed to become his student and do jobs for Jujutsu High School otherwise Gojo would just let the Zen'in take him or let them starve I guess. Megumi has no adult figures to rely on, and has been given very little freedom about who or what he wants to be in his life, and therefore he's a very passive, repressed individual who's riddled with insecurities. Megumi doesn't want to be the strongest like Gojo, or like many hero / rival characters in shonen manga. Megumi doesn't even know what he wants to be, because he's never been given any choice in life.

If you don't think Megumi's a deconstruction of any sort of character type, look at those posts on twitter that are like "Look at the black haired depressed shonen boys" and then look at Megumi, he's never actually like any of these boys because he's much deeper and probably closer to being the main character than Yuji is.

Then we get to Gojo who is very unlike all the other mentors in shonen manga.

If Yuji and Megumi are both riffs on a main character, a hero in a world so cynical he's not allowed to play hero and actively punished for it, and a chosen one who doesn't want to be the chosen one then you have Gojo as the mentor who's nothing like the classic mentor.

The problem with mentor characters in fiction is that number one they die a lot (spoiler warning Obi Wan Kenobi dies in Star Wars just so you know) and number two they're not usually the most complex character in the cast.

What is the mentor there for?

To Mentor (duh.)

What this means is they are usually a fully formed adult who can teach a lesson to the main character, who in shonen manga is typically a teenager.

I say they're usually less interesting because stories are about characters changing, or characters learning lessons. A teacher presumably already has learned his lesson. They are usually at the end of their journey and not the beginning, that's why they can offer wisdom to the main characters. They're not usually their own separate characters because of this - a narrative doesn't have time to waste on a character that's not going to change.

Jung had a term for this character, it's called the Wise Old Man.

In Jungian analytical psychology, senex is the specific term used in association with this archetype. Examples of the senex archetype in a positive form include the wise old man or wizard. In the individuation process, the archetype of the Wise old man was late to emerge, and seen as an indication of the Self. 'If an individual has wrestled seriously enough and long enough with the anima (or animus) problem...the unconscious again changes its dominant character and appears in a new symbolic form...as a masculine initiator and guardian, a wise old man, a spirit of nature, and so forth'.

The role of the wise man archetype is to help other people along with their ego development, because usually they are already fully developed individuals.

Obi Wan is the most typical of typical mentors, and he dies in Star Wars because after he finishes teaching Luke he has nothing to do. This is Luke's Hero's Journey. Obi Wan's already happened offscreen, he's at the end of his journey there's no room for change or growth in him because his story purpose is to exist to advise Luke and to do that he needs to be a fully grown adult figure.

The subversion to this when the mentor has their own agenda (Gandalf), or the mentor is as flawed as the main characters themselves and so therefore he has something to learn.

Gojo is kind of a combination of both, like Gandalf he is the mysterious but seemingly all powerful wizard (er... or rather sorcerer) with his own agenda, and he's also practically the fourth member of the main cast who are otherwise all teenagers. In fact, Gojo spells out his agenda in the same panels that everyone uses to constantly assert that Gojo is a good teacher who only wants to protect his students.

He wants to make the Jujutsu World a better place (good) which is why he is raising students so he can turn them into his political allies to make a regime change (hidden agenda).

It's a means justifies the end type scenario. In Gojo's mind the means (raising kids as tools in support of his political agenda) justifies the ends (a better jujutsu world for those children). His motivation is still the same. This is what I think people most often get confused about with Gojo's character. I think he is one hundred percent genuine about wanting a better world.

"I have a dream, I want to reset this crappy Jujutsu World" is his motivation, but not his means. He uses his students as a means to achieve that end. Even if it's purportedly for their sake, he's still using them. I don't even think this is subtext it's text, both Megumi and Yuji call themselves cogs.

"But senpai, what's your function...?"

You could say in this case that the ends don't justify the means. Is Gojo really protecting these kid's youth, if Yuji and Megumi are going around calling themselves cog and acting like they don't matter in the grand scheme of things? In fact the narrative is inviting you to question if Gojo's ends justify his means.

Gojo's ideals can be one hundred percent real, but he can also pick faulty ways of choosing those ideals that fail to live up to them. In fact most people fall short of ideals, that's why they're called ideals. Gojo is taking these kids in because they have strong potential as sorcerers and he wants to recruit them, that's his hidden agenda. It's confirmed in databooks in Yuji and Yuta's case, and even if you don't trust databooks as canon then look at how he treats Megumi.

Megumi is explicitly Gojo's student, not his son. He only intervened in Megumi's situation on the caveat that Megumi work for him. Presumably, if Megumi didn't want to be a sorcerer and just wanted to be a normal kid, Gojo would have either let the Zen'in have him or do nothing. The option of just calling child services and getting someone to foster Megumi until he was older didn't even seem to cross Gojo's mind. There's the help he gives (Food money, rent, protection from the Zen'in) and then the hidden agenda (Don't work for the Zen'in who are my political rivals, you're my student now).

Yet at the same time Gojo is shown going to find Megumi after Geto's defection, probably because of the words he said to Yaga "You can only save those who want to be saved," when he realized it was too late for Geto. Was he intervening earlier for Megumi because he learned from being too late with Geto? Did he think Megumi needed guidance, or did he think Megumi needed protection in his youth so the Jujutsu World wouldn't corrupt him like it did Geto, or did he think he just needed to make it so Megumi was strong so he wouldn't fall behind him because Geto fell so far behind him once Gojo became the strongest. There's ambiguity there, because the hidden agenda is you know... Hidden. That's what I mean with Gojo though, you can look at him from multiple angles, he's not just (I love my students I'd die for them) because that character would only have one purpose in the narrative and that'd be being the perfect mentor who teaches them all the right lessons.

Gojo's not like other mentors, and in fact he's a commentary on the mentors that everyone is always comparing him to and expecting him to be like.

Literally everyone who reads Naruto has the exact same response, "I hate how the manga never talks about how it's a bad thing to send these child soldiers into war, and nobody breaks the cycle."

There are a lot of people unhappy about the same thing in My Hero Academia, "Why does nobody talk about how wrong it is that the adults make these high school students fight on the battlefield."

Well there you go. That's Gojo. His dream is to make it so Jujutsu Society is a place where teenagers can survive until adulthood. His method of doing so is to... raise those teenagers to be stronger than the previous generation, but you know still letting them be child soldiers on the battlefield just stronger ones. He does this because if he's working within the system the his two choices are raise a group of people who can age out and replace the old regime, or just kill everyone at the top.

Everyone complains about how no one talks about the child soldiers in Naruto or My Hero Academia, but here you go, we have a manga that is centered around how messed up it is to send high school students to continually fight these curses before they even turn eighteen. Gojo's sending these kids out there still even if he wants to change things, and it's supposed to be a little messed up and also a contradiction to what his ideals are supposed to be.

Because in My Hero Academia you have characters like Aizawa and Kakashi who are "I will die for my students" but then they just send those teens out to fight in a war, and seem totally fine with that. It's a hole in the writing, but this time it's done on purpose, to ask why these adults are always comfortable sending teenagers out to fight for them?

Jujutsu Kaisen provides two answers, number one the system is inherently corrupt and it sees the youth as cogs because the system is rooted in traditions that keep the elderly in power. Number two, in Gojo's case at least this is exactly what it was like for him growing up as a child. Gojo is just repeating with his students what was done to him, subconsciously.

The reason Nanami said this, and then repeated it in this most recent chapter is Gojo was born to be a Jujutsu Sorcerer. Being a Jujutsu Sorcerer is a highly deadly occupation for everyone else, except for Gojo. Not only that but because he's so good at it, and he's so lauded for it he's built his entire identity around it. Nanami's not just saying that Gojo is selfish, he's also saying that Gojo thinks being a sorcerer is a good thing. It is the end all, be all of Gojo's existence.

He doesn't want to make it so sorcerers don't have to fight, or make it so all cursed energy is gone for the world like Yuki Tsukumo, his dream is actually kind of limited in scope he doesn't want the school days of his students to be destroyed by the outside world the way it was for him and Geto.

Gojo looks at the symptoms and not the cause. Geto defected, Haibara died, Yaga wasn't really able to do much for his students in both scenarios. Gojo deduced it was because the elders and regressive policies were holding people back in favor of keeping the regime in charge (correct) and that because of that the sorcerers in Gojo's high school years just weren't strong enough to keep up (this is just what Gojo thinks).

His words to Megumi are encouraging him to be strong so he won't get left behind, which as I speculated above might imply Gojo thinks that part of what went wrong with Geto was that he simply wasn't strong enough to keep up with Gojo or stay on his level. If not then he still encourages Megumi to get strong before everything else, he's not taking care of these kids emotional needs, he's pushing them to get stronger because in Gojo's mind that's the be all end all solution to every problem.

"Nanami's line was not saying that Gojo doesn't care about children, it's saying that "You live for Jujutsu." It is the lens through which Gojo sees everything, and so therefore he doesn't think of breaking kids out of the Jujutsu World, just making it a place that's slightly more safe for them. Gojo's ego is so strong that he only ever sees things from his point of view, being a sorcerer was fun for him, his high school days were the happiest time in his life before they got ruined by outside forces.

He's trying to protect those days for his children, but he's not arguing against the existence of an institution like Jujutsu High in the first place. He's not saying the teenagers should never be sent out on missions, he's saying we need to make the teens stronger. If they're stronger than they won't die (that's probably true but they'll be even safer if they don't have to go on missions in the first place).

Now we have a reason! Why do Aizawa and Kakashi send out child soldiers into the battlefield if their goal is to protect their students? Because it's a shonen manga and the main characters are all teenagers.

Why does Gojo send out teenagers to fight for him if he wants to protect them, well I just explained it.

In fact, the entire purpose of Nanami in the story is to give us a character who explicitly treats children like they are children and not miniature adults. Who acknowledges that this is emotionally hard for children to deal with and they shouldn't have to do that.

Nanami's lines of "I'm an adult you're a child" and "Being a child is not a bad thing." would not have the weight they carry if they weren't so different from the way that every other adult in the story (including Gojo) treats children.

Nanami and Gojo have the same goal of making being a Jujutsu Sorcerer easier for children, but Nanami practices what he preaches. He tells Yuji to stand back and that he doesn't need to fight if he sees an enemy that's too strong, to let the adult on scene handle things first.

When he sees that Yuji is disturbed by the idea of killing former humans that Mahito had changed with his technique, he consoles him. He knows that Yuji is a sensitive kid and tries to spare him as much of that grief as possible. When he leaves Yuji behind he tells him explicitly that he's the adult in this situation, he shouldn't be forcing a child to help carry that burden if it's not necessary.

He also explicitly tells Yuji that being strong or jumping into life threatening situations =/= as growing up. Nanami is a character aware that the problem isn't that the children are not strong enough, but that too much responsibility is being thrown on these children. That there is a difference between what children and adults are emotionally capable of. Gojo doesn't see that difference because he reached enlightenment as seventeen. He even explicitly chose Nanami because Gojo knew he wasn't good at that stuff.

Nanami was not saying that Gojo doesn't care about children, Nanami was saying Gojo lives to be a sorcerer, Gojo who loves sorcery doesn't understand why being a sorcerer is too much of an emotional burden on a child. He just doesn't. He literally says his students are flowers.

Now, here's the kicker. Nanami dies.

Nanami wanted Yuji to not take on too much responsibility, and he died leaving Yuji with more responsibility than he could ever carry. Nanami failed in his goal, despite the fact he is the most responsible and well-meaning adult in the story who treats children like they're children.

The reason he dies is because this is what happens to people like Nanami in Jujutsu Society. The whole of society is built to condition people into being cogs and Nanami who's just one person can't overcome it on his own. I can write a whole meta on how Nanami's way of dealing with children is way better than Gojo's and yet they do essentially the same thing, throw way too much responsibility onto Yuji even though he's just a kid. They're both too ingrained in the system to make any sweeping changes, and that's why the child soldiers keep on child soldiering.

Gojo as a Character

The second reason as eluded above that Gojo is not meant to be read as a perfect teacher, or even a good one really is because he's the fourth main character of the cast. If you are a main character, then you need a flaw, and an arc where you either improve upon that flaw or you succumb to it in tragic fashion.

Gojo's not the perfect adult mentor, because he's kind of in the same place as the kids themselves. I think there's a reason we never learn anything about Gojo's backstory, we know nothing about his parents, the Gojo clan, because those details aren't as relevant. The most important thing about Gojo is the three years he spent at high school, because that was the only time he felt like a person, and also because he is trapped there mentally.

There's a reason that Gojo's dying dream is him imagining everyone reset to seventeen years old, because that was where the clock stopped for him in his youth, and that was where all of his regrets as an adult come from. His motivation to help teenagers today only comes from his own youth being ruined, and the adults in his life failing to protect him.

It's very likely that Gojo who lives for Jujutsu probably would never have realized the problems in his current society, if his youth wasn't ruined by those same adults he's now fighting against.

The reason most mentor figures in fiction are not main characters is because as adults they don't really need to grow up anymore. The obvious solution is that you just need your mentor character to just fail to be an adult in some glaring way.

To show how Gojo falls short as an adult, especially in regards to these children and how he treats them is to drag him down from all powerful, all knowing wizard, and make him struggle with the rest of the main cast. Gojo is not a positive adult figure in these kids lives despite having the best of intentions, because he's not really an adult.

I guess if you were already the best and strongest person in the world at seventeen, smarter and more capable than all the adults around you, you wouldn't really feel the need to grow up. Coupled with the fact that you are alienated from other people and do not relate to them on a personal level that's not going to help with your identity formation.

I mean I constantly compare Gojo to Superman, but to be fair to Gojo instead of bullying him like I usually do Clark Kent was raised by parents who raised a boy not a superman, and who constantly tell him that he's just a normal person, his powers don't make him great, it's his heart.

Nanami says that Gojo only fights for himself that ""You don't wield Jujutsu to protect something, you use it solely to for your own sake. What a weirdo" it's likely Gojo only fights for himself because he's never ben told that's he's more than just the six-eyes and more than just the limitless.

The best way to make a mentor a part of the cast, is to make them through some way or another have failed to grow up properly in their youth and therefore they need to do it while the story is taking place. We know how Gojo failed, his springtime of youth ended early, it ended the day he couldn't stop Geto from leaving, the day he can be the strongest sorcerer ever and still fail because sorcerer society is too corrupt for one person to handle alone. We also know he didn't really grow up past this point, because he still thinks the solution is to make people be stronger. Why does he not do anything about Geto for 11 years? In story terms he's basically suspended in time unable to grow past Geto. Kenjaku literally uses the trauma from his youth and the memories that seeing Geto alive would provoke in Gojo again, to trap him because he knew it would make him freeze up. Gojo is frozen in the past, he failed to grow up in story terms and must now grow up while the main story itself is taking place along with the children he's trying to raise.

This is how you make a mentor interesting. You have to make them flawed in some way that makes it worth having them onscreen, because a perfect mentor only serves one purpose to teach a main character and then he's gone.

Dazai Osamu from Bungo Stray Dogs is a character that's almost as massively popular as Gojo. Similiarly, he is a teenage genius who found trouble relating to other people who is now as an adult attempting to mentor two children.

However, Dazai's faults as a mentor are made much more explicit.

Dazai suddenly punched Akutagawa in the face, preventing him from finishing his sentence. Akutagawa flew back onto the ground, his head bouncing off the stone flooring with a thud. "Perhaps I made it look like I wanted to hear excuses. Sorry for the misudnerstanding," Dazai said while rubbing his knuckles. "Urg..." Akutagawa moaned. He'd hit his head so hard that he couldn't even stagger to his feet. "Give me your gun," Dazai ordered one of his men. The subordinate was hesitant but nonetheless handed over his weapon. Next, Dazai removed the magaine from the automatic pistol, took out all but three bullets, then put the magazine back in. He immediately pointed the gun at Akutagawa, who was still on the ground. "I have this friend who's supporting several orphans all on his own, you see," he continued his weapon still drawn and aimed at the boy. "AKutagawa I'm sure Odasaku would've been patient enough to give you the guidance you needed had he been the one who'd found you on the brink of starvation right in the slums. That would have been the 'right' thing to do. But 'righteousness' doesn't take very kindly to me. And there's only one thing people like me do to useless subordinates." Dazai mercilessly pulled the trigger the moment he finished his sentence.

(Don't worry, Akutagawa lived). Dazai is a character who had a troublesome youth he never grew up from. He was too smart for the world as a kid, and because of that joined up with the mafia because he wanted to feel like he was more connected to life and other people by getting closer to death (weird dazai logic I know) and was the best of the best at it, but it only drove him further away from people. He makes one friend, and loses that friend similiar to Gojo. Just like Gojo too, that friend is the one who gives him his purpose as an adult that drives him to mentor young people.

"Odasaku.. What should I do?" "Be on the side that saves people," Odasaku replied, "If both sides are the same, then choose to become a good person. Save the weak, protect the orphaned. You might not see a great difference between right and wrong, but... saving others is something just a bit more wonderful."

Is this not what Nanami said just in different words. Odasaku tells Dazai point blank, I know you're selfish, I know that you don't really have any concept of good or evil but you can choose to save others anyway.

Isn't this what Gojo does?

He is selfish. He doesn't really consider the morality or his actions or get hung up on the idea of protecting the weak like Nanami or Geto do, but he still does go out of his way to live for the ideal of saving children.

Both Gojo and Dazai are characters who are struggling with this ideal of saving the children, because while their ideals are good they themselves as people are morally gray. Adding onto that, they're also children and a good deal of their backstory is devoted to showing why they never really grew out of the mindset that they held as children.

The story doesn't call them horrible monsters for it, it's just saying that they need to grow up or face the consequences of not growing up.

"I have one regret," I said. "I never got to say good-bye to my friend. He was always there for me as 'just a friend.' He was bored of this world and always waited for death to come for him." "That man was in search of a place to die just like me?" "No, not exactly," I answered. "I thought you were similiar to Dazai at first, rushing into battle and wishing for death without even considering the value of your own life. But he's different. He's sharp-witted with a mind like a steel trap. And he's just a child - a sobbing child abandoned in the darkness of a world far emptier of the world we're seeing." He was too smart for his own good. THat was why he was always alone. The reason why ANgo and I were able to be by his side was that we understood the solitude that surrounded him, and we never stepped inside it no matter how close we stood. But in that moment, I kind of regretted not stepping in and invading a little.

Does that sound like the narrative is condemning Dazai for being who he is? No, it's Dazai's best friend offering empathy and understanding for how lonely it must be, and how if Dazai made real connections with people then he could have a chance of growing up like everyone else. That's what the narrative challenges Dazai to do while empathizing with why it's harder for him to and why he's still trapped in his youth, because to take care of children you need to be an adult yourself. Otherwise if you're a child, and I'm a child, then nobody's driving the plane.

Rupert Giles from Buffy the Vampire Slayer is another mentor who faces the same moral dilemna that Gojo does. In fact his entire character revolves around the fact he knows deep down he's sending a kid to her early grave.

Buffy is the Chosen One TM. One girl in all the world is chosen to fight the vampires. Much like sorcerer society, there is an entire bureaucracy dedicated to identifying the chosen slayer and then raising her up and guiding her as a weapon to be used against the threat of vampires and demons.

The watchers are all adults. The slayer is a teenage girl. The slayer slays. The watchers watch. Just like in Jujutsu Kaisen, there is a necessity for the Slayer to exist, because the alternative is just letting vampires eat people. Yet even if the slayer needs to exist, at the end of the day a bunch of adult men are sending a teenage girl to fight for them.

All Slayers die young. All of them without an exception. No matter how good of a mentor is, no matter how much he cares about her, Buffy is going to die one day, and Giles is going to watch. Because that's what the watcher does, they watch. Sending her on missions means Buffy's in danger, not sending her means innocent people are in danger.

It's a scenario that's pretty much like Gojo's, and the narrative of Buffy makes it explicit that Giles really can't be a father figure to bufy in this scenario. A father would have to choose to put their child above the world and keep them safe, not send them out straight into danger.

It is a choice that Giles makes over and over again. He is always her watcher and never her father. There's a season 3 episode where Giles literally drugs Buffy as a part of a test to prove she is "worthy" of being a slayer. A test that deliberately puts her in harms way that he complies with - because the system told him to. A choice to be her watcher and act according to what the council of watchers wanted and not what Buffy wanted. A choice that shatters the illusion that Buffy had of him, showing her that Giles is only there to teach her to be a Slayer, not to take her to the iceapades or buy ice cream with her.

In this scenario Gojo is very much like Giles as no matter how much he may personally like these kids, he is not their father, and there is only so much he can do for them when he's still feeding them into the same system. Giles loves Buffy, Giles wants to protect Buffy, Giles is a part of the system that exploits Buffy. Giles is an adult asking Buffy to risk her life to save the world.

Gojo goes out of his way to recruit Megumi, Yuji, and Yuta among others. Gojo still doesn't let them be anything other than sorcerers, and as sorcerers they're still guaranteed to one day die and probably die young. Gojo wants to revolutionize the system he is, but he still sends out his students to do missions as part of that system. He's not letting them escape it, he's just making them be stronger sorcerers.

Not only is Gojo not a father figure to Megumi, he is exploiting him more or less. The option of Megumi not being a sorcerer isn't on the table. No matter how well-intentioned he may be, or how good his ideals are he's still an adult telling a child to make a sacrifice for the world.

So, there are two character conflicts with two different mentors that both reflect Gojo. Gojo cannot grow up because he's still trapped in the tragedy of his youth. He himself is not an adult, for various reasons (lack of connection to other people, trauma in his youth) he's egocentric like a child but there are children in his life who need him to be.

Gojo also cannot be a proper adult, because he is part of a system that exploits children. We see what the system does to proper adults like Nanami, he shows us just how much well-intentioned adults struggle to help kids under sorcerer society so how about Gojo who thinks being a sorcerer is really fun. A proper adult would never send kids on those missions, they'd find some way to shield them but Gojo cannot do that. Because sorcerers are short staffed and innocent people will die if he doesn't. Because Gojo isn't the sorcer-king of Jujtusu Society and is working within it to affect change. There are reasons, but still Gojo is failing to live up to his desire to protect children because he's not doing what a responsible adult should do in this situation.

Gojo's failures are two-fold, and yet it's because of those failures that he was a main character who got as much special plot attention as he did. If Gojo was a perfect teacher he wouldn't be a character. After all, we relate to the struggles of other human beings we see onscreen in television and in movies so why would we care about a perfect character?

Gojo has a lot more to say about teachers in shonen manga, and also about childhood vs. adulthood as a bad teacher struggling to be a good one, then a teacher who's already perfect. Nanami said those lines because he wanted us to understand the audience that this is who Gojo is, he is a selfish and egotistical person who nonetheless was trying to do good things.

[gars-weaponeer]

The Bullied Bad Batch?

Here comes a controversial take...

But It kind of always rubbed me the wrong way to see the first episode of the bad batch and have this narrative that they have always been bullied by the other clones for being different, like some sort of Star wars Loosers club.

It really doesn't makes sense to me. Specially comparing them to their episodes in the Clone Wars.

For starters: Sure, they are called "defective clones"... but are they really? Nothing about their mutations gives them an actual defect or a weakness. The closest we have is Tech's intelligence being so great he is way to logical about everything and lacks in social interactions.

But other than that the fact that Hunter's heightened senses overwhelm him sometimes, or that Crosshair's eyes are sensitive to bright lights, or that Wrecker's Muscles are in constant pain are all fandom made.

They were not just "born defective" like 99 and the Kaminoans decided to let them out into the world see what happened. They presented "some" mutations and the Kaminoans enhanced said mutations to make them perfect soldiers.

They are an an experimental group sure, but they were treated as a clone comando squad, an elite group.

I find it very hard to believe that an "elite group" would be bullied for being "different". It's like saying the Delta Squad was bullied by the other ct troopers.

Not to mention, their actitudes in their clone wars episodes are more akin to bullies. They are arrogant, They pick up fights with the other clones, They undermined the other clone's thoughts, ideas and even abilities. They don't follow orders and do things their own unorthodox way. Hell! even the "Reg" name they give regular clones sounds almost like an insult or a slur.

So why did we suddenly pass from: "They are just Regs, they cannot compare with us" to "The regs are calling us names, we have no friends in the school cafeteria." ???

-But Weaponeer! - I hear you say - They are called the Bad Batch because they were born defective.

And to that I say, NO. They are called "Clone force 99" because they were born with mutations (like 99). They call themselves "The Bad Batch" because they are a group of edgy, rebellious, younger clones that are aware they are different from the rest.

Let's not forget that deleted scene where we learn the Bad Batch had some nose art of a sexy Padme. That reads: "Born to be Bad."

Just so you can understand their actual energy.

That said, I think the writers should have kept the Bully Bad Batch on their series. At least on the first episode, when they are still in the GAR.

IMAGEN THIS:

The Bad Batch is an experimental group that is very important for the Kaminoans. So much so that they are given preferential treatment over regular clones, even comando clones.

They have their own personal barracks, They have their own ship that is theirs, They are allowed to do as they wish during missions since Kaminoans want to test them and record their evolution.

The Bad Batch know they are the Kaminoan's favorites, so does the regular clones and they hate it.

To regular clones it feels unfair. They are the ones that run into the battlefield and fight endless hoards of droids daily just to have this bunch of reckless clones rush in, do whatever they want, explode something and receive all the praise.

Not to mention that The Bad Batch is not nice about it either, they are arrogant, they boast, they call the other clones "regs" and compare their superior abilities to the rest constantly, almost like they forget they are clones too.

Worst part is, the Regs can't really do anything about it. Pick up fights with them always ends up badly. Wrecker is strong enough to send any reg to the med bay with one punch, Hunter can always anticipate punches and Crosshair has excellent aim when throwing the cafeteria trays.

The only one there that does not condone the behavior of his peers is Echo. Despite being a Reg he was accepted by the Bad Batch thanks to his unusual appearance and skills, but Echo is constantly trying to stop them from being mean to his other brothers. Not that it does much as the Bad Batch still see Echo as the "newbie" despite him being an ARC trooper.

But they are not bad people, they do have a sense of duty and honor like any other clone and they wouldn't really cause real harm to an ally. They see Omega and treat her with care, after all she is a young girl and they are not animals. They see the "insurgents" they were sent to kill and of course they cannot do that! Killing innocents? that's not what they do!

When they rebel from the Empire and go AWOL their whole world comes crashing down.

They no longer have the protection of the Kaminoans, they are no longer the favorite clones, now they are the traitors, hunted down not only by the whole empire but by one of their own.

This sudden change would make the batch wake up and turn from unruly teens to mature adults.

Hunter now has to be the mature leader and guide his team to safety in a harsh galaxy that keeps getting more and more dangerous. He has to be more careful, to a point that he is almost afraid of taking risks, specially since he has Omega to worry about. It would give him some character arc in which he passes from being carefree, to overly cautious, to learning to balance both.

Tech would learn that even though he has all the theory, he doesn't have all the practice. Nothing is as easy as just saying it, and things that he used to take for granted are now being mayor issues.

Echo's knowledge of the galaxy and skill would be more useful to his peers, but his tendency to distrust causes him problems in the long run. Not to mention he would still not be happy about sitting down doing nothing while his brothers are suffering at the hands of the Empire.

While Wrecker is having the hardest time adapting to their new life, being the more immature of the bunch. He learns that he cannot be as reckless as he has always been during their time in the GAR, specially when they have Omega to worry about.

That's Right people! MORE CHARACTER DEVELOPMENT! I think it would have been interesting to see that sort of dynamic.

┕━━━━━━━━━━━━ ⋆⋅☆⋅⋆ ━━━━━━━━━━━━┙

Then Again, these are just my thoughts. You are welcome to agree, add your own thoughts or just ignore them if they are not your cup of tea.

If you reached all the way down here thank you for reading ���

And may the force be with you.

[shimishimii]

six degrees of separation [first part]

Kuroo Tetsurou x gn reader

⎯ [wc: 2.5k] fluff to angst, has proper closure, but it’s part 1 of a mini six-part series, taglist is open, have a lovely day thanks for reading!

⎯ exes to enemies to lovers

| main masterlist | ♡ | next |

“who made your first love experience tragic, and you almost tear up every time you remember it?” your friend asks, you glance at the folded polaroid behind your phone case.

Kuroo Tetsurou did. But you shake his name away from your head, “just someone who likes this ice cream.”

As the summer breeze warms your cheeks and melts your ice cream, you felt you were back to when it started.

Classes were cancelled that day due to the high heat index and walking home under that sun would be brutal. Or maybe you are just making excuses when you see a raven-haired guy, a popular face among sophomores and freshmen. You notice he often stops by at the convenience store near your university. Maybe it sells some amazing snacks, you thought.

You began to like this specific popsicle the convenience store sells. It has cute designs, some based off on cartoon characters. But what you like about it the most was the short message engraved in the popsicle stick.

Days after, next thing you knew, you were always stopping by at the same convenience store, buying the same ice cream, sitting at the same corner, looking at the same guy.

His eyes were hazel from afar, and you wonder if you would see hints of gold and honey if you could just see him closer. His eyes are often narrowed and piercing, reminds you of a cunning feline's gaze that when he catches you sometime staring at him, it’s as if he has every answer for the questions you have yet to ask.

He’s definitely the athletic type. He could reach the tall shelves in the store and would sometimes help out the staff. He holds out the doors for women and elderly, greeting them when they walk in. He tells the little kids which snacks they should pick, helping them compute the total amount before paying. You also tried out his food recommendations and oh boy, he does not fail. He dances to some convenience store songs, sometimes he does it awkwardly, but most of the time he is actually talented.

You like seeing him smile, that soft genuine smile that appears not so often, but you could only look at him for a few seconds, because god you get weak when he smiles like that. You start to observe the things that makes him smile. His friends, eating, some science jokes you overhear, but so far no relationship partner. That was what you remembered. It was a relief.

You prepared a few conversation starters, but only your gaze tracing his silhouette could pass on the words left unsaid.

You bought the same popsicle you always like, hoping the message engraved on it would be different this time. You got the word unlucky marked on the popsicle stick yesterday, and also the other day, and some days before that.

Today may be the day your streak of misfortune ends before you could even see the message on the popsicle stick. Seems like luck is on your side this time because the guy you find cute takes the seat beside you. That’s new, you think. He was always with his friends. On the opposite table, near the counter, that was their spot. Today, he is alone.

Your hand felt sticky. The popsicle was dripping.

He points at your long-gone ice cream. “I really like that flavor” He smiles. “And that design too.”

You smile at him. I know. You always pick them at the bottom most part of the fridge. You compare their sizes even if they look controversially the same.

You look away after a few seconds, processing the features of his face like how he does have specks of gold in his eyes and that he smiled back. That damn smile. The dripping syrup slowly becomes a hazard to your fresh from laundry white pants. It did not catch your attention. But fortunately, it caught Kuroo’s.

“Excuse me, but your ice cream's got a mind of its own, it seems,” he says. “and you would not want that on white pants.”

“oh no,” Too late. You panic scooping out the falling liquid, still, a few drops painted your pants. “but I just washed this” you say, frowning.

He chuckles lightly, offering a tissue, “here, use this, ice cream stains can be hard to remove,” he hands you the tissue. “I just know”

I know that too. You once bought an ice cream sandwich, bit and kept it at your mouth as you played some games, and forgot you were eating an ice cream. Your white shirt was a disaster after.

“thanks” you took the tissue, cleaning your hand. You tried to remove the stain on your pants after. “that probably looked embarrassing” you kept scrubbing, smiling apologetically.

Kuroo places his hand at the back of his head. “Not really, it happened to me once or twice too”, he looks away, muttering softly, “…and you still look pretty.”

some imaginary audience cheers at the back of his mind, and other side of audience were gripping tightly, unsure if the smile on your face meant ‘that was cringe’ or ‘thanks’

He can’t believe he brags about his natural way with people but took weeks before having the courage to start a conversation with you. His friends would definitely ask him why. He was simply glad you like that ice cream flavor too and he has spare tissues.

you may have traded off a piece of your health from consuming ice cream every day before this conversation happened, but you still thank your past self for that sacrifice.

You remember the first time you met whenever you look back at those two popsicles sticks with engraved messages framed on your wall.

“you know, we could have known each other from jogging in the morning or at a gym” Kuroo looks at you with a raised brow, “but no, we both just have to be unhealthy.”

Kuroo replies with a soft smile, “we had an unhealthy first meet that’s because I was meant to take care of you”.

It started good. Because the feelings that bloomed in your heart may be the same to what Kuroo feels. The evidence of love and affection was written all over the year of your relationship. In each polaroid photo displayed across the wall of your room, you know cupid did his job well.

The first photo, marked on the first month you met, when Kuroo lets you lean on his shoulders while he plays whatever game he just discovered.

Second photo, on the fourth month, there was barely any context, it’s simply a photo of you together smiling. Because when Kuroo smiles, that smile you always love, you know that meant he was happy to see you, how he feels light and at ease with you.

Third photo, the seventh month, you are in Kuroo’s arms, his embrace gave warmth on that day he first saw you cry.

Fourth photo, the ninth month, in an expensive dinner date where you laughed with him because of his clip-on tie. Kuroo was too nervous that he felt his necktie choking him, and changed it minutes before you go out. That clip-on tie had pink paw prints design.

You hold the polaroid. In that photo, you both have wine glasses on your hand with him kissing your cheek. And you remember how he casually thinks of compliments that would make you blush, your hair, your clothes, and even noticing the new lip gloss you tried.

It was love, as you believed. This feeling. Because what else could it be? It was a conclusion you made up without prior knowledge to what love actually is.

You trusted the love Kuroo gave, never asked anything more than it, never questioned it.

Even if everything started to feel like it was not really romantic love. That it was just a thoughtful smile, a concerned hug, his natural way of words, and the love that was from just a friend who happened to like you a lot.

Yes, he was friendly, caring, charming, and thoughtful. You have no right to list a job description for a boyfriend, shouldn't you?

And they say great couples are simply best friends in love.

Looking back at most memories, it felt like you were really just a best friend, who happened to have the privilege of kissing him.

Someone he likes to be with, not someone he falls in love with.

It never was supposed to be a big deal. But people would often mistake you as ‘just another friend’. He was the same with everyone and you don’t want to dictate him to change.

But if he treats everyone the same, then it means what he does for you was not actually that special. It's just his natural way of being towards everyone. You started to think, maybe you were not a priority, just another friend amongst many.

You stay awake past midnight, with your thoughts loud, when you sink into the realization that there might not be really anything special at all. Because everything he did for you, warm hugs, compliments, leaning on his shoulders, those were just the perks of being Kuroo’s friend.

So, who are you in his life?

You know you are more than his friend.

Until less people stopped believing you were lovers, and maybe you stopped believing as well.

“So you’re close with him?” someone asks even if it was obvious you are Kuroo’s special someone. Maybe it did not look like that. Kuroo simply agrees that you two are close. Same likes, agrees with almost anything, vibes a lot. Typical best friend qualities. Of course you wanted to feel it was more than that.

“That’s Kuroo’s special friend” and that might be the worst introduction you have ever received. The word special, losing the meaning it once held.

At least you were someone to him, that still meant something right?

Sure, it was your own demons. How you started to feel like crouching when he stands beside you. His tall figure shining in daylight as you walk down the street during your dates, but as hours pass by and the sun changes position, you notice you have become just a shadow.

Worse, you started to feel like you were not enough when you're with him.

You appreciate who Kuroo is.

Dating him was a gamble against your own insecurities. You know what you were getting into, you know the hole you might fall into. But you haven't learned yet how to get up. As each monthsary gets celebrated, you were falling further and deeper into the abyss of your inferiority. And Kuroo did not even notice you were no longer beside him during parties, or at some special events. He forgot what ice cream flavor you like. He no longer corrects people mistaking you as just his friend.

On your first anniversary, the wine on your glass was gone a few minutes ago, you needed the courage.

Kuroo reaches out for your hand, you held it for a second, squeezing it slightly, and slowly letting it go. He clicks his tongue, noticing your avoidance for weeks. You used to hold hands everywhere you went, but now you avoid touching altogether.

“Can you at least look at me?” he asks.

You shift your gaze from his hands to his face.

"Why won't you look at me?" his voice was firm, almost disappointed.

"Because every time I do, I see what we've become."

It was his turn to look away.

"Do you remember when we first met?" you ask.

"I try not to."

You don’t know what he meant by that.

The silence between you grows louder with each passing day, until it's suffocating. Kuroo is not wearing a clip-on tie, you noticed. He tugs his necktie, adjusting it every now and then.

You try to salvage what's left of your relationship, maybe this anniversary date should do it. But it's like trying to hold onto sand slipping through your fingers.

You pour another batch of wine on your glass before speaking, "You know how you always used to say, 'The grass is greener where you water.' Remember?"

"Yeah, I still stand by that. It's about perspective."

"Perspective? How about the perspective of feeling invisible in a relationship?” Kuroo does not like where you’re going, where this is going. “Do you—do you even still see me?"

"Of course not” He tries to hold your hand again and you hold onto him. “of course I see you.”

Kuroo speaks again. “But sometimes, what you think doesn't really matter.”

You scoff.

“But those are my feelings” your voice is getting higher, you adjusted your seat, you feel like sinking in the chair. "So my feelings don't matter to you?"

"No, that's not what I meant.” he sighs before continuing, “I just think you're overthinking these things."

"Overthinking? Maybe I'm just realizing I deserve better. Maybe, just maybe, I deserve to be seen and valued." you try to catch your breath. It sounded almost like a plea.

His lips stay pressed on a thin line. He was no longer holding your hand. You were looking at his direction. He is looking down, holding his fork, tapping his plate.

You know staying in this relationship could mean getting invisible day by day. Not until he could no longer see you, worse, until you could no longer see yourself.

Sucks to end it that way, you could almost laugh bitterly at this situation, cliche even.

He looks at you, for the last time that he could, then mumbles. "I never wanted it to come to this."

You slowly look away, your eyes betraying a mixture of hurt and determination. "Let’s just leave this memory as a good one” you hold his hand, for the last time that you could, “I don’t want to end things ugly and start hating you.”

Because you know you never could. You wanted things to end while he was still someone you love.

Kuroo was not looking at you anymore. He felt a shiver, realizing the absence of warmth from your hand.

“Isn’t it enough that I see and value you?”

“Do you really see me? Or am I just another name on your close friends list?”

He sighs again, longer than the previous, as if he was afraid of speaking more, "Well, if that's how you feel, I’m sorry"

"Is that all you have to say?"

“You know, I—” Kuroo can’t understand why he can’t say those words. It takes three words for him to fix this. He stayed silent. And it took just a fraction of his silence for you to realize there was no use to trying to fix this.

taglist (open):

[eyesxxyou]

Hobie Headcanons

↳ ❝ [mix of sfw and nsfw because I've been thinking alot] ¡! ❞

❝ sfw ❞

Hobie is Jamaican British and you can't change my mind. He uses Jamaican slang in the movie and some of punk culture takes from Jamaican culture. When he feels very big emotions, his accent definitely comes out whether he wants it too or not.

Did all his piercings himself. Has a keloid behind one of his ears because of it. It's a miracle most of his piercings haven't been infected or rejected.

His starter locs were terrible. He thinks it's the most embarrassing part of his loc journey. The length was uneven and he had to start over 3 different times. For a while he did have regular locs before letting them do their own thing and become freeform.

Has siblings. Two sisters, one older, one younger, and he loves them to death. Would go to hell and back for them. They're partially the reason why he's so comfortable in himself and his own masculinity. Why he's all "fuck Capitalism, patriarchy, and society in general" because he wants to live in a world where this sisters and every woman can walk down the street feeling safe, get paid equal to men in their jobs, etc

Undiagnosed autistic and I say this as a unofficially diagnosed autistic. His special interests are politics, punk bands, and My Little Pony (blame his sisters).

Gets matching nails with his s/o. Let's you paint his nails and do nail art and all of that. Let's you do his make up too, a full face beating if you want. A little bit of a simp

Definitely has a type. Earthy spiritual black people who wear crystals in their hair, wear layers of necklaces and bracelets, flowy ankle length shirts and tube tops, gold rings and waist beads layered on top of each other (definitely not saying this cuz it's an exact description of me) love a black woman from infinity to infinityyyy

❝ nsfw ❞

Has a dick piercing (and no he didn't do that one on his own). Either a Prince Albert or a magic cross. It was a haphazard decision he just decided on and BOY was it painful but he feels cool as fuck now and it makes you feel all the better.

Has nipple piercings too. Just thought they looked sick. Only downside is that they took a long time to heal and wearing a shirt for the first few weeks was literal hell.

LOVES giving oral regardless of sex. Adores the sounds he can draw from you with just his tongue and his fingers. Has you cumming in minutes. His fingers are perfect for it, long and slender, and his tongue is godly (he also has a tongue piercing).

His moto is save a horse, ride a cowboy. Loves getting rode, watching you bounce on his cock however you'd like with your hands on his chest for support. He'll hold your hips, trace patterns on your skin while praising you. "Ya look so pretty, luv. Keep goin', jus' like tha'."

Loves eye contact during sex at all time. "Keep ya eyes open fa' me, luv. Can you do tha'? Yeah, tha's righ'." He likes the intimacy of it, makes the act more special.

Might be a controversial opinion but I think Hobie's polyamorous. Or at least open to the idea of an open relationship. He doesn't get jealous easily and trusts you wholeheartedly so he's be okay with something like that. If that's not what you want, he's totally okay with that as well. On the up side, threesomes ;)

[f1-birb]

in reference to this, the lovely anon came back to give full thoughts from a union rep perspective so I have taken the text from two asks and put them under the cut - incredibly interesting read and sheds light on a lot of assumptions I'd formed but from a more knowledgeable perspective:

As I said in my initial message, I have a lot of thoughts on the entire radio interaction throughout the last 20 laps of that race yesterday, so to keep things from getting too chaotic, I'm going to try to discuss things in sections.

-THE MESSAGES-

I actually think this is a two-fold problem.

So, for starters, we get the message

"Lando, he can't catch you. You've proved your point" towards the end of this whole ordeal. Every interaction prior to this point involves some variation of "We're stressed about the tyres, Lando. You need to save tyres, Lando." (Coincidentally, every message about saving tyres is followed up with some variation of "Remember to let Oscar through." I'll come back to this in the section about Will). Except, we can see from the photos of the two McLaren cars in parc ferme that Lando's tyres were fine. The fact that he was able to push and continue building a gap shows that his tyres were fine and weren't dropping off.

This, right here, prime example of gaslighting. A driver can feel when he starts struggling with the tyres, we've heard Lando himself complain about the tyres going off on the radio before.

He wasn't struggling at all here, the team was trying to convince him he was to slow him down. This, already, to me is extremely unethical and sets a dangerous precedent. If the team is willing to gaslight and lie to him about something occurring on the track, directly related to his race, when he's driving at high speeds and has no access to data, how is he supposed to know when he can trust them? Not only is this example gaslighting, it's extremely manipulative. They re trying to make him believe something that isn't at all true so that he does something completely unnatural to his nature as a racing driver (intentionally driving slower for like the last 15 laps) that benefits them.

Now, probably the most controversial part of the interaction occurs when Lando says he's fighting for this championship (presumably the Driver's Championship), and Will responds with

"The way to win a championship is not by yourself. It's with the team. You're going to need Oscar. You're going to need the team." Now, l'm going to be completely honest with you, if this interaction had occurred in some kind of interview between Will and Lando or in a free practice session or hell even in a qualifying session debating who would get a tow or prime track position, l'd probably be like "Yeah, fair enough, that's 100% true, needing a supportive team behind you to be successful is true of a lot of industries, including mine." But you have to remember the context here: They're trying to manipulate him into doing something he's expressed discomfort in doing, using tactics like gaslighting, blatantly lying, appealing to his emotions, and now threatening him.

This isn't the "You're part of a team" message some people are trying to play it off as to make it sound lighter than it is and like others are

overreacting. There is no "Remember, you're part of a team that can help you get that championship." The words of

"You're going to need the team" are very deliberate and intentional. They're basically telling him, if he wants the support and aid of the team, he has to do what he's being told regardless of if he agrees with it or feels comfortable with it. Again, they're trying to use tactics like intimidation and fear of future retaliation to get him to do something he's uncomfortable with.

-ANDREA STELLA-

Courtesy of Ted Kravitz, we now know Andrea Stella was the one telling Will Joseph the exact messages to relay to Lando. So, let's just break this down.

This is the team principal himself - the man whose job responsibility is quite literally to manage the team and driver dynamics.

His team has fucked up. He knows they've fucked up. Hell, even Lando knows they've fucked up and asks at one point why they didn't just pit Oscar first. Instead of owning the team's fuck up, he tries to make Lando the scapegoat. Even after the race, in the media, he's still trying to make it look like McLaren deserve no criticism, Lando does for trying to steal a win from his teammate (that his error-prone strategy team dangled in front of Lando). So, he's still resorting to abusive tactics like emotional manipulation to his driver who in the end did exactly what he asked despite being uncomfortable doing it. This is also just extremely narcissistic - refusing to acknowledge his and his team's role in this mess and instead placing it all on Lando.

And then the radio messages that he was feeding to Will Joseph to in turn feed to Lando. The "obey or we'll never support you" message would have been bad enough coming from Will, but there's a whole other element at power when you know it was the team principal, someone who strategists and engineers answer to, threatening this.

This is someone who very well could ruin Lando's entire career and stock in the paddock with the staff and resources at his disposal, and he's essentially threatening, on a public radio broadcasted to millions, to do just that if Lando doesn't obey him.

This wasn't a "frantic race engineer trying to reel his driver in" situation like we originally thought, this is a team principal - again, responsible for managing the TEAM and DRIVERS - basically threatening to have the team leave one of the drivers out to dry and focus all of their efforts and attention on the other if this one driver does not conform to his will.

And I know a lot of people are upset that Lando is not speaking out against the team, so let me pose this question:

If Andrea Stella is perfectly comfortable acting this vile - gaslighting, blackmailing, threatening - on a public radio broadcasted to millions, and the threat of "obey me or this team will not support you" is already hanging in the air, do you really think Lando could criticize the team publicly and get out unscathed? Given these radio messages, does Lando even think he could fairly criticize the team, publicly or privately, without jeopardizing his own career? We think because he's a multimillionaire (and he is privileged, I'm not denying that) with millions of followers that he has all this influence, but the one with the real power - the one who tells Zak Brown who he wants in those seats - has basically just publicly sent him the message that if he wants to stay in his seat and actually achieve his biggest goal, he'll shut up and listen regardless of his own thoughts or opinions.

-WILL JOSEPH-

Let me preface this by saying I don't think Will is completely blameless in this situation. That being said, he was manipulated by Andrea Stella and his tactics just as much as Lando was, and as l'll go into in a moment, I think there are definitely signs that he wasn't 100% comfortable with what he was doing and was still trying to look out for Lando while placating their boss.

But first ... the power dynamics, again.

Much like he has the power to destroy Lando's career if he wanted to, Stella also has the power to destroy, frankly much more quickly and easily, Will's career if he really wanted to. And we already know from his radio messages to Lando that Andrea Stella is not against threatening to do just that if his employees do not obey his orders. So, despite still being angry at Will, I do recognize he was in a lose-lose situation.

I really do think if you read between the lines of those radio messages that you can see that Will did try, in his own way, to look out for Lando, but that also makes some of the things he said a bit more eerie of some of this toxic behavior existing behind closed doors as well.

For example, one thing I noticed with the "Save tyres" messages was that every single time, there was some sort of plea to swap positions. And again, this is mostly speculation, but I think that was Will's way of saying like "Your tyres are fine, they are just demanding you slow down for this switch." Evidence of this: "We need you to save your tyres please and we do want to let Oscar through." "Ok, Lando, we still think you're using the tyres too much Turn 4 Turn 11, and the rears at exit Turn 6 Turn 9. Oscar's 3.5, I know you'll do the right thing." "We think both cars are using their tyres too much. Just remember every single Sunday morning meeting we have."

I also, and again this is mostly speculation on my part, but I do believe Will was trying to avoid saying some of the harsher things like the threat that Andrea was telling him. At the time, I thought the urgent messages in which Will insists he's trying to protect Lando were about protecting him from a potential undercut and thus needing to pit him first, but as quite literally every analysis has pointed out, Lando wasn't even under threat of that for the final pit stops. They could have pitted Oscar the lap they pitted Lando, pitted Lando the very next lap, and everyone would have maintained their original positions. I also just, idk, felt the urgency in that "I'm trying to protect you mate, I promise I'm trying to protect you." message just wouldn't have matched up if all they were discussing was the pit sequence. Like, Will sounded full-on frantic at this point, and then mind you, the very next plea Andrea has him give is the threat about Lando not having the team's support going forward if he doesn't swap positions.

So, despite still being mad as hell, I understand power dynamics were shifted in both Will and Lando's cases.

Stella was on a power trip and would have happily (and did, as we see Lando still taking the brunt of the blame for Stella's team's failures) thrown both Will and Lando to the wolves if he didn't get his way. And that intimidation factor easily allows him to manipulate both Will and Lando.

This is more like the arguments/ evidence I would use if this incident were to get reported to HR, and, as a Union Rep, I was chosen to go advocate for Lando and Will against management. That being said, much of what we focus on when we are advocating for employees are the power dynamics at hand, and that's something about this situation I don't see people recognizing enough. Andrea Stella is in a position of power over both the other men involved in this situation, and according to Ted Kravitz, he was the one pulling the strings with the gaslighting and blackmailing and manipulating. Had Will refused to convey Andrea's messages, he could have been demoted or maybe even terminated altogether. As we heard in the messages themselves, had Lando refused to bend to Andrea's will, there's a chance the team really does hang him out to dry and prioritizes Oscar at all costs.

It's difficult to provide a full Union Rep analysis too because so much of our work relies on reading actual employee contracts, and obviously those aren't just freely available online for F1 drivers. That said, I can already tell you they very clearly and deliberately broke one of their own team values with this behavior: "We act with integrity and work together to address challenges with respect, openness, and honesty." So, I wouldn't be surprised if there aren't mandates against this behavior in Andrea's own contract, and l'd be very surprised if McLaren didn't have just a general employee Code of Conduct that basically this entire incident broke.

and on the term 'workplace harassment':

I noticed the term "workplace harassment" used in the reblogs of one of your posts too, and while I didn't really use the term "workplace harassment" in my previous message, I would also throw in that I know Stella's (and by proxy, Will's) behaviors towards Lando yesterday 100% be considered workplace harassment. Intentionally withholding or spreading misinformation that impacts

someone's ability to properly do their job is workplace harassment (and granted, there's a lot of examples of that from McLaren and F1 as a whole, but the key word here is intentionally. that's normally genuine strategy blunders and not a team legitimately telling their driver lies to try to slow them down). Completely overbearing supervision can also be a sign of workplace harassment, and I'd argue by Stella literally trying to make Will his mouthpiece, he was definitely doing that. Making threats concerning job opportunities or job security (in the workplace, not in like a performance review) is ALWAYS considered workplace harassment, and well. We have direct evidence of Stella and Will both engaging in that.

[thepalerimitation]

Let Me See Some Hands:

Why SydCarmy is the most controversial dish served on the Bear

When the Bear came out, I didn’t watch it. The most I heard, it was a show about line cooks and it had the guy from Shameless. I wasn’t interested, I’m a self proclaimed cooking snob and wanted to see a tv show that had a little more flair in cooking.

But then it was 9 pm, and I was bored.

BAM!

I watched both seasons in a week.

I was obsessed, I was absorbed, and I was deeply and truly in love. The show captured everything gritty and everything beautiful with both hands and threw them into a pan to sear at high heat. It was sexy, it was hideous, and it was mind blowing.

Then the age old question.

What’s going on with those two?

Sydney Adamu, the raw ambition and talent to Carmy Berzatto’s genius and finesse. They’re well matched in the nonstop heat of the kitchen, with an easy dynamic that snags on their jagged edges like fabric on a nail.

In the first season, they’re awkward and magnetic, drifting together and falling apart, shattering and putting the pieces back together. By the second season, they’re starting to click. They dress the same, they finish each other’s sentences, and they argue like people who have known each other for twenty years.

So yes, I did pose that particularly debase question.

Can men and women be friends?

It’s a question that gets thrown in front of the runaway train. It’s the conversation-ender and argument-starter. It’s dynamite. It’s catnip.

The warning signs were there. Shots that focused for a beat too long on him looking at her, or her looking at him. Her embarrassingly admitting he made her favorite dish of all time. Their sign language communication. The season two conflict as a girlfriend was thrown in the mix with Sydney flatly saying “I need your focus, I can’t share, I’m sorry.” I’ll admit, I’ve made more out of less.

But what’s the counter argument?

Well, for one, the girlfriend. Claire (no last name), a nurse and childhood friend who approaches him at a grocery store. She asks for his number, he gives her a fake one. She finds his number anyways and calls him.

Yeah…

There’s some moral arguments. As coworkers, a romantic relationship would be inappropriate. As partners in the restaurants, a romantic relationship could fracture the Bear. Then there’s the purist argument. It’s a cooking show about found family! Let it be that. Romance doesn’t have to be in everything.

“Well gee, which do you think people are pro or anti SydCarmy?”

Well I can tell you why I’m pro.

To me, romance doesn’t demand satisfaction. There’s no need for boyfriend/girlfriend hand holding and playful arguments about doing the dishes. I’d like a kiss, but I’ll take a heated conversation in the walk-in and longing glance.

They’re young and crazy, and HR violations can shove it.

But I also think romance has killed some excellent plots.

Platonic representation is important, especially male-female relationships. I think a lot of platonic relationships are fetishized in media or misinterpreted to add intrigue or interest to audiences.

But can Syd and Carmy be friends?

The short answer?

Who Cares?

The long answer?

Whatever Storer’s design for the show, whether he moves forward in the unclear relationship between Syd and Carmy or buckles down on either platonic or romantic, he’s definitely won.

The show has buzz. It’s got attention and heat.

You hate the romance, so you watch it to prove it’s not there. You love the romance, so you watch it to prove it IS there. You’re curious because every news site talks about it, so you just have to watch it.

Even I’ll admit, I’ve rewatched it and stayed hooked to prove my little delusion. (And because it’s beautifully acted, but who cares about that).

So whether you’re pro or against, just remember:

There is no controversy that wasn’t first stirred up by a clever strategist.

[amethyst-draws09]

Chapter 3 of poppy playtime and the smiling critters saved poppy playtime (SPOILERS FOR CHAPTER 3!!!)

I know that’s a big statement but hear me out.

Poppy playtime before chapter 3 had a bit of a bad rep. It was basically the punching bag of mascot horror. And can you really blame them? Hell even I thought it was bad in chapter 1.

Chapter 2 came round and it was definitely good! But the horror aspect weren’t on full play and if I recall there was a lot of controversy about it when chapter 2 came out.

But chapter 3? Oh my goodness it’s incredible. And is what really hooked me and a lot of other people in to poppy playtime. And the smiling critter’s basically branched off into there own fandom. (I’m apart of by the way)

I mean for starters gameplay. They balanced horror,gameplay,puzzles and story so bloody well in this chapter it’s unbelievable,and the pacing is brilliant!

And the horror 😨. It would be an understatement to say this was horrifying. First of all nightmare huggy wuggy just in general also we get a glimpse into the orphan experimenting in chapter 2 but chapter 3 really just goes all out on it. I mean home sweet home has some DARK connotations if you look into it and it’s terrifying how people as young as 5! We’re experimented on. I mean the main villain of this chapter catnap. Is literally an 7 or 8 year old child. And you are told constantly To AVOID playcare at all cost’s now imagine how I and basically everyone felt when at the end of the cave segment you see a Sign welcoming you into playcare 😨. And then dogday. Holy fu##ing sh#t was that so dark and brutal. HE’S BEEN CHOPPED IN HALF AND TO MAKE THINGS WORSE HE DIES BY BASICALLY BEING EATEN FROM THE INSIDE OUT BY THE SMALLER CRITTERS?!?! NOT TO MENTION YOU CAN HEAR HIM CHOKING ON THEM IN THE CHASE?!?! That is GENIUELY  such a brutal and dark thing I’ve ever seen come out of a horror game. And wow did mob have some balls to do that when they KNOW they’ve got a massive child audience. Props to them.

The final boss is such a refreshing breath of fresh air with it not being a chase segment. The boss is GENIUELY thought out well. And catnaps and dogdays death actually made me a bit sad especially with dogday.

The characters designs are So Bloody good. Examples being literally any of the smiling critters. Miss joy and so on. They fit the theme and game so well

Now I could mention other things like the cardboard cutouts of the critters or the dark implications of what happened to the bigger body critters during the hour of joy but that would make this post go on for to long.

To end it off. The artist who made the animation for the start of chapter 3 of the smiling critters and just designing them in genreal and there art should be really proud of themselves. They started such a big fandom it’s unbelievable and I couldn’t be more grateful for what they did.

Chapter 3 was such a joy ride and such a surprise to me and loads of people. When I weren’t scared or sad I was grinning ear to ear with how good this chapter was. And I’m not the only one who thinks this. Search up on YouTube Twitter Reddit etc and you’ll see so many people praising this chapter with how good It was. Not saying it’s perfect it def has it flaws like me personally thinking the other critters were criminally underused. But it was such a big step up and made poppy playtime from a mid game to an exceptional game. I and so many others are happy this exists. This chapter was such a joy ride and I personally LOVED IT. Let’s hope that they make the future chapters as good if not better than this one (and hopefully bring back the smiling critters there such good characters)

And that’s why i think chapter 3 (and the smiling critters) SAVED poppy playtime

[agentoffangirling]

have you read "genderqueer" and do you think the book should be in school libraries?

I have not, but after doing some research, I can see why it is the subject of many controversies

For starters, I would like to say that almost every complaint against this book is from conservatives, and while there are good points made about the scenes, they always rope that back in with nasty comments about transgender and queer people, making it so that not only should it be banned due to the scenes, but also because it is a queer book

Now me personally, I do not believe that book should be in elementary school libraries, or if it is, the pornographic scenes should be removed. In middle school, there's a bit more leeway, I think it should be allowed for the book to be checked out as long as A, the child is at least 13, and B, they have some form of parental permission. High school I don't really see any issue with, people are making out and doing worse in the hallways, I'm pretty sure it's fine for them to read it

However I also believe there is a discussion to be had about how conservatives often use the "porn" excuse to ban books regarding queerness. Banning books has gotten so bad nowadays, especially in states like Idaho, where, in order to enter a public library, you need to be at least 18 years old and sign shit every single time you go in. When you ban books like "Genderqueer", it gives an excuse to lawmakers and parents to go after other books with none of this content just because it's LGBTQ+ friendly. Instead of focusing on whether or not it should be allowed in school libraries, maybe we should begin focusing on why 90% of these banned books have something to do with POC and queerness, with diversity as a whole

[morsmortish]

i see you vague posting about a “bones and all” AU, i need more!!!

oh how glad i am you asked. there are many thoughts, many many many things to say.

i gotta admit i only watched bones and all for the first time a few weeks ago but all i could think about the whole time was how similar lee and barty were and then i started listening to a shitload of ethel cain and then i gave in to the voices and started properly thinking about a rosekiller au of all of it combined- i would say while i’ve tagged it as a bones and all au, it’s more of a hybrid of bones and all AND preachers daughter AND all my whirring thoughts on religiously traumatised bcj. (plus i’ve always had a soft spot for cannibalism imagery, which is probably only slightly concerning.)

the plan for the fic is to follow the rough plotline of bones and all (two cannibals on a road trip that fall in love) with a few tweaks. controversially, barty occupies the role that maren has in the film, but only in the sense that he is the main protagonist, and the story is more following his journey of self acceptance than it is of evan’s, who fills lee’s role as the ‘love interest’ who helps barty discover himself and then…well, dies. lee himself is so so barty but i think some of his traits and experiences (i’m solely thinking of the “do you think i’m a bad person?” to “am i bad? am i bad? thread for this) can and will still be a part of barty’s characterisation here.

there are some key changes to the film in this au though. for starters, barty crouch junior is going to be carrying a Hell Of A Lot of religious trauma. i want his dad to be a preacher, the pair of them living in a small town together. barty’s mother is dead, and barty is made to feel sort of responsible for this. the cannibalistic urges he has are kept under lock and key by his father, who essentially tries to scare him off of acting on them, using the threat of what happened to bcj’s mother as a kind of ‘ammunition’ (it makes sense in my head i swear). i want things to be getting progressively worse in this town, barty not being able to control himself as he gets older, i want his father leaving him to fend for himself one day. i want barty fleeing his town as they line up with metaphorical (or literal!) pitchforks outside his front door, and i want him meeting evan a few days later. i want them embarking on a mission to find barty’s father, but, unlike maren and lee, evan and barty are on a road trip to find and kill this old fucker.

evan is a difficult character for me to latch on to in this. he’s similar to lee in the way that he has left his town, he has a (twin) sister waiting for him back home, he’s USED to this life now. he’s very circumstancially (is that a word?) similar to lee, but, because he’s Evan Rosier, he’s just a weird little freak. he fills the ‘part’ of lee in the story but his personality is entirely evan. i want him being off-puttingly pedantic about the people he eats, the way he eats them, how he disposes of the evidence. like lee, he has a system for how to take advantage of his victim’s belongings, but it’s much more meticulous, almost mechanical. he’s somewhat detached from the whole thing. he loves the rhythm of eating someone, unlike barty, who much more resembles a rabid dog. he’s got a system for how he is going to live his life all laid out, and he’s not the most accommodating when barty tries to butt in and change everything around by dragging him along on some harebrained revenge scheme against his own dad. but he can’t help but get sucked into barty’s aura and he can’t help but (albeit reluctantly) drive him all across america in a fuckass truck.

that’s a sort of (extraordinarily long) backdrop for this fic. at its core it IS a bones and all au, but there’s so much to unpack in terms of barty’s religious trauma, which i think will pair so nicely with the cannibalism (↤ top ten phrases ever???). there’s also evan and pandora and their backstory, and don’t even get me STARTED on tom riddle and his Death Eaters (the clue is in the goddamn name).

BUT THANK YOU FOR ASKING ROYAL, you’ve given me such a lovely opportunity to ramble about my thoughts and i’m spiritually lying on my bed giggling and kicking my legs any time i get to reply to an actual ask that an actual someone has actually asked me. the issue is i’m notoriously bad at actually writing these ideas, so this may end up staying as a very developed concept, with a pinterest board, a playlist, a tumblr tag…you get the gist.

[ihopesocomic]

When exactly did this comic start and what led to it? It's just that I've seen people say all over the place that you started this comic just to sneer at My Pride or w/e and I thought the comic started around the same time as My Pride? Not that I really care but I'm just curious about the actual timeline of things.

For starters, this kind of thing about us making this comic just to dunk on My Pride always makes me laugh because of several reasons:

We literally have a video out there that is nearly three hours long that puts everything on the table. We don't need to be pursuing a comic for nearly four years just to deliver a hit piece. We've summed up things quite well years ago.

The idea that we can't reclaim a concept as marginalised creators from a bigot who misappropriated our oppression for entertainment value is a bad faith argument as to why folks just don't like us/the comic at best and reductive gatekeeping at worst. We're not the first or only people who have tried their hand at reclaiming a problematic entity and doing a rewrite/reshaping of it (i.e. Warrior Cats) so why this is a foreign concept to some people, I don't know. I'd rather people just say they don't like us or the comic like adults instead of harping on about how I can't have my own disabled lion story as a disabled creator because I think that's just such a weird hill to die on. lol

But to answer your question: we began the AU story that became I Hope So around the summer of 2020 when we decided to disassociate from My Pride due to controversy surrounding it and its creator.

We quickly changed it into our own thing because it did not take long for it to dawn on us that doing what we wanted to do would be very difficult and limiting without using our own characters and worldbuilding.

We had also pretty much nailed down a solid outline of what we wanted to do because we obviously did not want to be exactly the same as My Pride. Hope gets bad name, Hope drops bad name, Hope eventually leaves abusive family, we try for better disabled/LGBT+ rep, we meet other animals besides lions, Red Stone, Edge's family, among many other differences.

We then began serialisation in October 2020 while My Pride was still ongoing and before we even published our review of the show, which did not come about until the following March... because the show was barely half done and we had to wait for episodes before reviewing it. oof

Hope my rambling clears up this issue for you, anon. - RJ

[dreaming-of-the-reality]

So I know this may be “controversial” but I’m so sick of seeing people complain about the new Avatar movie and try to cancel it over the most ridiculous things.

For starters… they are 10FT tall blue aliens with 3 fingers living on an alien planet that takes about 5 years to get too, from the future. How are people trying to make this about the human race living today in our times?

People complaining because Jake has dreadlocks… it’s called ✨Na’vi culture✨ on earth it may be an African cultural thing, but they aren’t on earth, they are on Pandora where the Na’vi are an alien race that believe it or not, do in fact have their own culture. Besides they also have a giant braid that has stuff inside of it…

People mad because they think Jake is trying to be “indigenous” when he’s “just some white dude pretending” like bro… it’s called acculturation and assimilation. What else would you expect him to do? It’s like getting mad at a European trying to embrace an Asian culture because his partner and kids are Asian and live in an asian country…

And finally, the people who are for some reason getting triggered because Avatar 3 will have an element of the new Ash tribe and Fire Na’vi saying that James Cameron is “copying” Avatar the last air bender. There are so many ways to break this down but here’s two: 1 is about an alien planet with 10FT tall blue people that have glowing dots on their skin, the other is about a bunch of people controlling elements… (essentially) how are people making connections here?

The other way to break this down is: Pandora is a lot like earth, it’s has ✨biomes✨ and different ✨environments✨ right. So there’s this thing called ‘adapting to your environment’. The Omatikaya is Forest Na’vi which is aliens that live in the forest. The Metkayina is Reef and Sea Na’vi which are aliens that live by and in the sea… the fire Na’vi (from what I’ve heard) live close to or in a volcano… they don’t control the elements they simply live in environments to which they have adapted to and hence the reason they are given different names.

From the sounds of things Pandora has reefs, forests, mountains, deserts, snow(?) and is again just like earths structure and environments. Which makes it so much better than all these other futuristic outer space movies where there are planets that seem to be only 1 biome and earth is the ONLY planet that has multiple.

On earth, people who live or come from Europe are called European. People who live or originate from Africa, are called African. People who originate from Asia, are called Asian. On Pandora, Na’vi who come from the forest are the Omatikaya people. Na’vi who come from the reefs or oceans are the Metkayina people.

So before you all start raising your pitchforks and torches claiming “cUltUraL apProPriation” about 10FT tall blue aliens from outer space, take a second to realise how dumb it sounds. If you didn’t like the movie, that’s okay, but don’t ruin it for the rest of us. It seems today that no one can enjoy something without someone criticising it and ruining it for the ones who just want to watch a cool movie with beautiful aesthetics and nice visuals…

To anyone who’s made it this far into the rant, I appreciate it. To those who don’t agree, I don’t care but feel free to disagree all you want, and to those who agree, again I don’t really care but cool.

[notstilinski]

She Started It Starters !

Taken from the 2023 novel by Sian Gilbert, She Started It! Some of these have already been edited. You can change them however you see fit! Potential trigger warnings include violence/murder, substance abuse, self-harm, etc.

“I’m not going to turn down a free first-class flight and stay on a private island.” 

“The problem with you, (Name), is you’ve always felt like the past doesn’t matter because it’s over. You don’t think about how actions always have consequences. You’re too focused on yourself and not focused enough on other people.”

“I don’t think we should go. This seems a bit suspicious to me.”

“Who’s carrying anything around? I’m not.”

“Maybe they actually earned their way there without connections.”

“Desperate enough to be loved by anyone. You always were greedy.”

“I don’t think I like (Name).”

“Haven’t the past two years proven just what I’m doing out of the goodness of my heart?”

“Never mind. I was just being a bitch.”

“I know you were joking, but don’t do anything like that again.”

“You’d say if there was anything wrong, wouldn’t you?”

“This isn’t how you start a conversation. It’s how you start a war.”

“I’ll be fine. I’m used to being the butt of a joke anyway, so if they try anything I’ll recognize it in a second.”

“I’m sorry. I’ll kill them at school, just you wait.”

“What part of ‘leave me alone’ don’t you understand?”

“They’re dead. I’m going to kill them.”

“Not if I kill them first. To sending that bitch to hell!”

“Could we do it? Would anyone even care if they… never came home?”

“We need to look for them. Search the island. Just in case they’re hurt somewhere.”

“It doesn’t make sense. Why would someone come and just hurt (Name).”

“Hey, you only need to look around this room to see how talented you are.”

“If someone confesses to murdering (Name), maybe we can help you cover it up.”

“Ah, yes, they just picked themselves up after all that blood pouring out of her and took themselves on a nice little walk.”

“You sneak into my room and you’re the one asking me questions?”

“Christ, (Name). You’re scared of me, aren’t you?”

“You don’t have to like someone to care about their murder!”

“We just have to make it until morning. (Name) is coming first thing. We just have to survive the night.”

“I tried to! None of you would listen. None of you wanted to talk about the past. You all pretended like nothing ever happened.”

“Rather you than me. Close the door behind you.”

“I’m sorry. I was a complete idiot, like (Name) says. I’m selfish. I only think about me. And I guess I’ve always been jealous of you.”

“I deserve them. Look at what we did to (Name). I deserve everything they’ve ever done to me.”

“We all kept things from each other. And I know better than most that we can all do terrible things.”

“I’m so done with this. (Name) deserved to die anyway.”

“Sorry, that was mean of me. I don’t mean to be such a bitch all the time.”

“We can’t have (Name) suffering. Not the leader of our gang.”

“If that were the case, why are you still alive?”

“You can’t be here. You’re dead.”

“Thinking about stabbing me in the back, (Name)? Wouldn’t be the first time.”

“I think the butcher thought I was some kind of cultist. He didn’t ask too many questions.”

“Something can be edgy and controversial and still within the rules, you know.”

“Did you think that was going to be a fresh start for you, is that it? A please where no one would know about poor little (Name)?”

“Things will get better. I believe you when you say it wasn’t you.”

“So you’re the one who gets all the attention at the moment and I’m still doing favors for you?”

“I forced myself to watch the entire thing. What struck me most was the sheer joy you all got out of it.”

“(Name) killed themselves the day after  they told them they deserved to die.”

“Even right now, after everything, you’re still thinking about how you’re going to kill me before I can kill you. Isn’t that right?”

[lightfeltmemories]

hxh theory: is feitan a p3d0phile?

tw's: mentions of l0l1c0n, paraphilia, p3d0philia, sadism and torture because its fucking feitan, cp (debatable if you consider l0l1c0n cp), mentions of problematic hxh ships such as feitan x kalluto and hisoka x gon

just a note: before you come at me with your pitchforks leaving hate in my asks and dms, i am not a fan of l0l1c0n nor am i trying to defend it, this post is a simple theory i have gathered by evidence in the manga, no one is saying that you should believe this theory, it's more of a "do with this information what you will" kind of thing.

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so, you may be reading this title and you're thinking "what the actual fuck?" and you probably believe that i pulled this straight out of the deepest parts of my ass, but what if i told you i had some plausible evidence for this theory?

so, for starters, this thought actually came to me when i was reading a post by a user on here named @/cautionworks (i'm not going to tag them here because i don't know them nor do i want to seem like a bother) who made a post relating to their favorite ships (warning as the post does contain problematic ships such as hisogon and such, not saying in particular im against the ship, im just giving out a warning to anyone who is triggered by minor x adult ships) and there was a ship listed as feitan x kalluto.

in the passage it mentions that they found out that feitan may be into l0l1, which at first thought was a bit strange but once you think about it more, the concept isn't the most absurd for someone like him.

i haven't seen anyone actually talk about feitan possibly being into l0l1c0n, much less being a p3do, probably because of the anti's in the fandom.

so, lets get on with the actual evidence!

in the yorknew city arc, after he was done torturing the owl, he is seen reading a book by an author named trevor brown, and as stated on his hunterpedia page, trevor is a controversial artist who's work involves paraphilia; atypical sexual urges.

according to trevor's wikipedia page, "His work explores paraphilias, such as lolicon, ero guro, BDSM, and other fetish themes. Innocence, violence, misogyny, and Japanese popular culture all collide in Brown's art."

there is also a reddit post relating to this topic as well, and according to said post the topic was popular on tik tok at a certain period in time (not very important but i thought it was kind of interesting since im a tik tok user and content creator kind of)

so, does this make feitan a p3d0phile? i can see why people would think so, and i can also see why people wouldn't.

why i would is simple; trevor brown's art speaks for itself, the usage of fictional little girls in... lets just say, VERY interesting situations would make one assume off rip that feitan may be a p3d0phile, or at least a l0l1con, not to mention, togashi isn't afraid of making a character like this especially since we have hisoka (not saying hisoka is a p3d0, but many do, and im just trying to prove a point and give an example as to why the concept of feitan being a p3d0 isn't something completely out of the ordinary, hxh does get pretty dark after all).

why i wouldn't: i've seen some arguments that feitan may not hold the same views as trevor despite him doing some questionable things, similar to how people may like a certain character or even person in real life but not agree with everything they say or do, not to mention he doesn't seem to act weird or overly charming with kids like hisoka, he certainly isn't afraid to hurt or torture one (gon) but theres no actual implications outside of him reading this book by a controversial artist that he is sexually attracted to them.

but in my personal opinion, unless specified by togashi himself, or given any more details about how he feels about such things i wouldn't go as far as to call feitan a p3d0 just because he's seen reading a book by someone known to create l0l1 art, hell, he might be reading a book that doesn't include anything relating to p3d0philia, since the cover art isn't explicitly shown.